7-1 social justice poster research

How Yusaku Kamekura managed to mix various cultural influences and modern design characteristics proves how competent he was in that field during the international competition of Yamagiwa in 1968. As a student Japanese designer, I am growing to understand the value of design in the art world as it overflows to overcoming the cultural divide. While meditating upon Kamekura's notion, I have been motivated to develop a racial poster that upholds complementarity and stimulates cooperation. I picture in my mind inserting emblems and pictures from different cultures that signify the same. The use of a bright color palette and dynamic designs will ensure attention is grabbed and the message of harmony is sent precisely. I will thoughtfully look at font decisions and composition to make sure that the slogan is very well seen by a diverse audience. Kamekura will provide me with references and from there I will make my own design that will go beyond cultural boundaries so that it can help people build empathy and understand racism.

The advert created by Waldemar Swiery for "Midnight Cowboy" in 1973 is a great proof of the talent of the artist to show the mood of the movie in the original way by unusually bright and expressive images. Having the role of a polish artist his individual approach and perspective are very explicit in how he told that story. Swierzy telling his story gives such a fascinating experience; one image or one image series is enough to make the audience feel as if they are part of the story. Using color, composition, and symbols, the artist can create a vivid visual that drives one into the painting and stays for a long time. Seeing that Swierzy has a great poster idea, I can create an interesting one that will perfectly portray the intricacies and problems of race in our modern world. The meaningful image and heightened thought can be used to awaken questions and create a deep understanding. His talent for using visual storytelling points to the importance of art as a vehicle for the subject matter. My inner artist just came alive the way I see his flair and passion in designing his own poster on racial justice and equality.

Art Chantry in 1985, for the New City Theater in Seattle, Washington, demonstrates his characteristic brash and plucky manner of graphic design as a form of expression. Being an American designer born in 1954, Chantry has a unique design style that merges with pop culture and the counterculture, thereby overcoming the limitations of the classic design traditions. From the standpoint of Chantry's stage plan for the play The Balcony, I find it very clear that it has not only raw power but also impressive visual impact. The lithography probably includes offset lithography which would go well with the atmosphere of the performances and may reflect the "theater's avant-garde" performances. Delineating from Chantry's campaign, I will generate a poster that breaks with the traditional frameworks and starts a dialogue. I may try various irregular layouts and collage methods to convey the subtle intricacies of racialism and oppression. With the help of bright colors and compelling images, I can quickly draw the viewer's attention and urge them to face their own prejudice. Through the instrument of Chantry's spirit of insurrection, my racial poster will be a powerful tool to bring about awareness and start a debate about race and equality.

Paula Scher's artwork "Nude Nude Totally Nude" for the Public Theater in New York is a bold and provocative piece that challenges traditional notions of art and censorship. As an American artist, Scher's work often reflects the vibrant and diverse cultural landscape of New York City. Reflecting on Scher's approach, I'm struck by her fearless creativity and willingness to push boundaries. This piece reminds me of the importance of using art as a tool for social commentary and sparking conversations about sensitive issues. Drawing inspiration from Scher's boldness, I can create a racial poster that confronts viewers with the realities of racism head-on. I might use striking imagery and provocative language to grab attention and provoke thought. By challenging societal norms and confronting uncomfortable truths, the poster can serve as a catalyst for dialogue and change. Like Scher's work, my goal is to create a piece that demands attention and prompts viewers to confront their own biases and prejudices, ultimately fostering empathy and understanding.

Techniques that Jan Lenica invented in his 1964 lithograph for "Wozzeck" deliver an uncommon visual narrative. Polish master, Lenica, was the one, who was widely known for his surrealist approach to art and active understanding of the essential principles of graphics. His works often addressed the subject of human existence and societal discourse, that is, giving away a large amount of materials for consideration and comprehension. While in Lenica's lithograph, I'm touched especially by the chance to make a poster that can win over people facing racial prejudice and lead to dialogue and understanding. The inspiration source is definitely within the realm of surrealism and by using metaphors and symbols I intend to show the very complicated nature of race and injustice. In the same way as Lenica; using bright colors and powerful imagery which can turn viewers' attention and can also be a source of feelings and empathy. The next aspect is Lenica's merit of composition and visual narrative, which I will put to use to deliver an impactful poster. My art intends to borrow from Lenica's artistic style and approaches and depict the depth of the given theme; our audience's eyes will then be sharpened, as they are prone to meet a racially reflective idea which makes them critical and insightful.