Give me a sign: The Language of Symbols

Give me a sign: The Language of Symbols

    Exploring "Give me a sign: The exhibition titled "The Language of Symbols" at the Cooper Hewitt was a greatly done marvel that explored the complicated sphere of visual language. Through the narration of the evolvement of the accessibility sign, it became clear that design was harmoniously working with the social activism and inclusivity domains. It thus illustrated the complicated way in which a logo may develop into a symbol of accessibility and representation on a wider scale which merely represents the ongoing discourse of incorporating disability rights and universal design principles.
Consequently, symbol inspection of the Olympic sports showed how there is more to the simple imagery than one would expect. Every symbol was more than just another way of putting the nature of the sport in imaginary forms. It also gave a flavor, cultural and historical context, becoming an affirmation of the common human experience from one country to another generation.
Workshops offered in the exhibition afforded visitors the ability to do their personal reflection and create something fine. To me, making a personal symbol, especially focused on the delicate topic of school shootings, was a unique opportunity to dive into the depths of society's controversies. The experience demonstrated the role of symbols as carriers of social statements, creating an opportunity for introspection and expression of my own stand on topical issues to cause positive social change through visual art. In addition, it made me take into the thoughts the elements needed such as color and shapes. These are crucial to grab a person's attention. In a nutshell, "Give me a symbol" penetrated the symbols that superficially ruled and displayed them as miracles for communication, self-examination, and society. It made me reflect on the depth of picture speech in our perception, doctrine, and actions, leaving an imprint that now is a part of me.